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After her husband laid down his Portuguese vocals for the first verse of his and Jobim's composition, 'The Girl From Ipanema,' Astrud provided a hesitant, heavily accented second verse in English. Producer Creed Taylor wanted a few English vocals for maximum crossover potential, and as it turned out, Astrud was the only Brazilian present with any grasp of the language. Getz had already recorded several albums influenced by Brazilian rhythms, and Verve teamed him with the cream of Brazilian music, Antonio Carlos Jobim and João Gilberto, for his next album.

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She'd had no professional musical experience of any kind until 1963, the year of her visit to New York with her husband, João Gilberto, in a recording session headed by Stan Getz.

Though her appearance at the studio to record 'The Girl From Ipanema' was due only to her husband João, one of the most famed Brazilian artists of the century, Gilberto's singular, quavery tone and undisguised naïveté propelled the song into the charts and influenced a variety of sources in worldwide pop music.īorn in Bahia, Gilberto moved to Rio de Janeiro at an early age. The honey-toned chanteuse on the surprise Brazilian crossover hit 'The Girl From Ipanema,' Astrud Gilberto parlayed her previously unscheduled appearance (and professional singing debut) on the song into a lengthy career that resulted in nearly a dozen albums for Verve and a successful performing career that lasted into the '90s.